“Crawl”, Episode #11: Gators Are in the House, Ladies & Gentlemen, and It Ain’t Pretty (but it is extremely suspenseful & well-done horror)

Monster gator from “Crawl” by Sam Raimi & Alexandre Aja

This classic “monster in the house” tale from Alexandre Aja of “The Hills Have Eyes” and Sam Raimi of “Evil Dead” and “Don’t Breathe” is one of the better horror pics from the summer of 2019. It’s got an intriguing, believable ‘what if’ hook: What if two giant alligators got into your flooded house during a hurricane and you were trapped in there with them?

The key to topnotch horror, besides an interesting, menacing, frightening and formidable monster, is human characters who’re likable, believable and sympathetic. In other words, the audience has to care about what happens to them. And in “Crawl”, Kaya Scodelario (Pirates of the Caribbean: Dead Men Tell No Tales ) plays Haley, the daughter and main character, who tries to save her father, played by Barry Pepper (Saving Private Ryan, True Grit and The Green Mile) who’s in their old house doing some repairs when a hurricane hits.

And while I didn’t find parts of it plausible (Can you really trap a huge alligator in a shower and expect it won’t break through the thin, plastic doors? And will a thin metal pipe really keep a hungry gator from eating your savory, human self?), on the whole, I bought into the gator-human battle for survival in an enclosed space.

“Crawl” Movie Poster

It’s set up perfectly as the opening scene shows aspiring University of Florida swimmer Haley Keller getting a call from sister Beth who informs her that a Category 5 hurricane is on a collision course with Florida and advises her to get out of the state. Haley is concerned for the safety of her father Dave because he is not answering his phone.  Against the police’s wishes and instructions, Haley goes around the roadblocks to search for her father.

She initially goes to his condo but he’s not there. His dog Sugar, however, is and Haley takes the pet along with her when she heads for their old family home, which was supposedly sold years ago (mother and father have divorced), in Coral Lake.

Eventually they arrive at the what turns out to be unsold family home. Haley leaves Sugar upstairs and descends to the crawl space where she discovers her dad, injured and unconscious from (although she doesn’t know it yet) from a gator attack. And this is where we get into, pardon the expression, the teeth of the story.

The father used to be Haley’s swimming coach/mentor and besides family memories, when they’re not battling the planet’s most dangerous, oldest predator, they talk about Haley’s swimming exploits and challenges.

From Wikipedia: Angelica Jade Bastien of New York Magazine praised the film, saying, “Crawl is a great example of a simple story exceedingly well-told. It’s a bloody adventure full of teeth-gnawing turns of fortune, mordant wit, vicious gator kills, and surprising tenderness — that clocks in at a blessedly fleet 87 minutes. It’s a perfect horror film for the summer, as much an ode to the cataclysmic, humbling aspects of Mother Nature as it is a love letter to father-daughter relationships.”[16] Jim Vejvoda of IGN wrote, “Crawl is a fun albeit familiar human vs. beast movie, one that gets plenty of mileage out of its setting and people’s deep-set fear of being eaten.” He cautioned that fans of Alexandre Aja might be surprised at how mainstream Crawl is compared to his more gruesome horror films.[17]

With a Rotten Tomatoes score of 82%, it’s hard to argue with this tight (only an hour and 27 minutes long, almost too short) film being perhaps the best mainstream horror movie in the summer of 2019. Considering it’s the result of Sam Raimi and Alexandre Aja, very well-regarded creators of horror and suspense films, it shouldn’t be surprising how well it turned out. I gave it 7.5 kernels while Stephen rated it 6.5 kernels. After thinking about it more and being reminded how highly critics rated it, I regret not giving it a higher score. At least 8.0 to 8.5 kernels seems like a more accurate assessment now. Whatever, if you enjoy horror and/or suspenseful, fast-moving flicks, this is a must see.

Lee’s Jokes of the Week

Sampling of my gator humor:

  1. What do you call it when you combine a GPS and an alligator? Answer: Navigator
  2. What do crocodile chefs use to make many of their dishes? Answer: Crockpot
  3. What did the alligator say after it broke into Farmer Smith’s house and ate all the occupants? Answer: Hmm, tastes like chicken.

Stephen’s Recommendation

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Okay folks, that’s it for this post. Look for another blog post on this site within the next three or four days. And be sure to check out our latest episode, #15, “Rambo: Last Blood”: https://www.youtube.com/watch?v=OVvxl44VhZY

Countdown Continues with…”Pet Sematary, Episode #3″ — Remake Improves on the Spooky Original *** One Spoiler Alert***

Stephen Craig: “I loved the ending. It was campy, do you agree?”

Me: “Oh yeah, very…The ending was 3-D: dark, delicious, and ah geez, what was it, oh yeah, delightful!”

And indeed it is. We both loved how the script deviated from the original 1989 movie, which was excellent, by the way, but by having the daughter Rachael die and come back from the dead instead of the younger son, Gage, the tale veers off on a devilishly deviant tangent that ends in a sinister fashion (spoiler withheld).

Link to the review:

https://www.youtube.com%2Fwatch%3Fv%3D_xQxJGaLnow

Here are my notes on the movie:

Starring Jason Clarke as Dr. Louis Creed, Jon Lithgow as neighbor Jud Crandall, and Jete’ Laurence as daughter Ellie, this is a spin of the classic “monkey’s paw” yarn that works beautifully. The tale explores the macabre, weighty but fascinating world of the death of loved ones and of our own mortality. PT is “smart zombie” tale, closer to vampires than George Romero’s mindless, human-flesh-eating obsessed undead. The beings that are resurrected from the special Micmac burial ground look like the original person or pet but harbor a hidden, evil streak poses lethal danger to the loved ones of the reanimated being.

I see that some critics say the pacing is too slow but I thought the pacing, with the exception of perhaps one too many flashbacks of the mother Rachael as a young child helping take care of her dying mother Zelda, was fine. It made the characters fully human and worth caring for. The only flaw worth noting is from the source material and the filmmakers failure to address it is the primary reason I can’t give this movie a perfect score. And that is the failure of the parents, after they move to an isolated home right by a busy road, to build some kind of protective fencing for their cat and young children. Other than that, I love how the new version of “Pet Sematary” keeps the parts of the original source material that do work and change the story from the younger Gage getting killed by a speeding semi to the older daughter Ellie.

As Jud says, “Sometimes dead is better” and I would amend that slightly to say that sometimes the original is story is fine but sometimes that are parts you should change. In this case, I think the producer and director made the right decision by having Ellie die and come back from the special burial ground.

I give it 9 kernels. Everything was perfect except for minor plot issues.

My co-host also gave it a 9.0. kernels out of 10.0. We talk about how fabulously Jon Lithgow as next-door neighbor, Jud Crandall, says the line, “Sometimes dead is better.” I add that Fred Gwynne (in the original) says it with more of an Eastern accent.

Fred Gwynne as Jud Crandall in original “Pet Sematary”

Seeing this wonderful flick inspired by Stephen King has me even more pumped up for the next, and final, “It” installment. It’s going to be released Sept. 5th, a day after my birthday. Bring it on, baby!

Pennywise in “It: Chapter Two”